Bandes Dessinées

June 16, 2009By Paris UpdateTales of la Ville
bandes dessines

The bande dessinée section in any Paris bookshop
is bound to be packed. Photo: J. Gascoigne

Walk into any large bookshop in Paris, and you are sure to find one section full of people with their noses buried in books, leaning against the walls, sitting on the floor, hunched over the book-laden tables. In the

bandes dessines

The bande dessinée section in any Paris bookshop
is bound to be packed. Photo: J. Gascoigne

Walk into any large bookshop in Paris, and you are sure to find one section full of people with their noses buried in books, leaning against the walls, sitting on the floor, hunched over the book-laden tables. In the great land of rational thought, might that be the philosophy section? Emphatically not. Or the wonderfully diverse literature section? Non!

Look at the sign above this mass of slouching Gallic humanity, and you will see the words “Bande Dessinée,” or just the letters “BD.” That’s cartoons or comics to you and me. Yes, cartoons! Surely only children or teenagers would pass their time reading such junk? But in fact, you will see every conceivable type sitting beside the bookshelves: respectable men in jackets and ties, unrespectable men with greasy hair, mothers with babies in strollers, girls in jeans, aging hippies, boys in tracksuits and trainers, women on crutches, even tramps.

Indeed, the BD has become an indelible part of French or francophone identity in the 20th and 21st centuries, with comic books being written as much for the adult market as for younger generations. In 2006, 4,130 different BDs were published in France, and in 2007 more than 40 million were sold in France alone (bringing in more than €383 million). Nowadays you will find almost as many academic conferences on the BD as on other kinds of literature or film. There are also regular BD fairs, most notably in Angoulême and Blois.

Yet I have to confess that I simply don’t get the BD. Although I enjoyed reading the Asterix and Tintin comic books as a child, that’s when the enjoyment stopped. Now that I can appreciate real literature, the need to have one’s narrative aided and abetted by sketchily drawn cartoons feels like an affront to the crumbs of intelligence I possess.

My many dear French friends continue to attempt to convert me. Not a birthday or Christmas goes by without one of them presenting me with yet another BD album. And every time, I thank them politely for their generous gift, then dutifully start reading the book before giving up about 10 pages in and consigning the album to a distant shelf.

Perhaps I should sell my rapidly increasing collection of mint-condition BDs on eBay and make a fortune from some fanatic who appreciates them a whole lot more than I do?
James Gascoigne

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