Rrose C’est la Life: Agnès Thurnauer
Transgender Art
Many agreeable surprises are to be found in the French provinces, not the least of which are contemporary art spaces in the most unexpected places. One example is the Centre d’Art Contemporain at the Bouvet Ladubay winery in Saumur, which … Read More
Salgado Amazônia
Paradise Transformed
The first thing you see when you enter the darkened “Salgado Amazônia” exhibition space in the Musée de la Musique at the Philharmonie de Paris will knock your socks off: a large, grainy, high-contrast black-and-white print of heavy, roiling, black-edged … Read More
The Power of My Hands
Threading the Lines of Filiation
Speaking of women-only exhibitions (see last week’s review of “Women in Abstraction”), I recommend a visit to the show “The Power of My Hands” at the Musée d’Art Moderne de Paris, which presents the work of 16 African women artists … Read More
Women in Abstraction
Women Apart: Spotlight or Ghetto?
Ideally, there would be no need for all-women exhibitions of art that make a special case for – and risk ghettoizing or condescending to – women artists; women would simply be included in sufficient numbers in all group shows and … Read More
Pelléas et Mélisande
Darkness and Light in Music
Recently, in an article on Francis Poulenc’s Dialogues des Carmélites, I suggested that the only other 20th-century French opera that will stand the test of time is Claude Debussy’s Pelléas et Mélisande (1902), inspired by Maurice Maeterlink’s symbolist play from … Read More
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