Monumenta 2016: Empires

February 7, 2010 | By Brian Childs | Archive

Physically Brutal,Metaphysically Rich “Empires” by Huang Yong Ping. © Adagp, Paris 2016. Photo: Didier Plowy for RMN-GP To misappropriate one of Donald Trump’s favorite words, this year’s Monumenta installation at the Grand Palais is “HUGE.” For the next few weeks, … Read More

Désirs et Volupté

February 7, 2010 | By Claudia Barbieri | Archive

English Love Affair with Erotic Sensuality “A Song of Springtime” (1913), by John William Waterhouse. Photo © Studio Sébert Photographes In the 18th and early 19th centuries, the English were a pretty rakish lot. Victorian prudery drove that tendency underground, … Read More

Expérience Pommery

February 7, 2010 | By Claudia Barbieri | Archive

Underground Art inChampagne Country “Maintenant/Now” (1997), by Stéphane Calais in the stairway leading to the cavernous cellars. Photo: © Fred Laures In the soft chalk of the hill beneath Reims, the Roman Gauls burrowed a honeycomb of mines, extracting the … Read More

America Latina 1960-2013

February 7, 2010 | By Claudia Barbieri | Archive

A Conflicted Continent’sTormented History ”Untitled,” from the ”Latin Fire” series (1975-78), by Ever Astudillo. Courtesy Toluca Fine Art, Paris. Whether by accident or design, the Fondation Cartier in Paris is devoting a major exhibition to five decades of contemporary Latin … Read More

Théâtre du Monde

February 7, 2010 | By Claudia Barbieri | Archive

Finding Harmony in Organized Chaos “Duet Room.” © MONA/Rémi Chauvin Image Courtesy MONA Museum of Old and New Art, Hobart, Tasmania, Australia The Maison Rouge contemporary art space in Paris is currently offering an odd jumble of a show called … Read More

Henri Cartier-Bresson

February 7, 2010 | By Claudia Barbieri | Archive

Beyond the Decisive Moment,Multiple Cartier-Bressons “Martine Franck, Paris, France” (1967). © Henri Cartier-Bresson/Magnum Photos, courtesy Fondation Henri Cartier-Bresson Henri Cartier-Bresson, wealthy bourgeois, Surrealist, leftist, portraitist and father of photojournalism, was unequivocally one of the great photographers of the last century. … Read More

Il Me Faut Tout Oublier

February 7, 2010 | By Claudia Barbieri | Archive

Finding Affinity inExistential Cruelty “La Tête aux Clous”(1994), by Philippe Vandenberg. The Maison Rouge can always be counted on to put together daring, offbeat shows, the absolute antithesis of standard blockbusters. Its current offering is no exception. “Il Me Faut … Read More