Heidi Ellison

Heidi Ellison, a long-time Paris resident, is a freelance journalist specializing in art, travel and literature. Her articles have been published in dozens of international publications, and she has contributed to a number of guidebooks on Paris and France.

Rosalie Blum

The Stalker Stalked

April 6, 2016 | By Heidi Ellison | Film

Rosalie Blum, the directorial debut of screenwriter Julien Rappeneau, is a feel-good film in the tradition of Amélie, with its quirky storyline and many twists and turns of plot. Those twists and turns make it difficult to write about it … Read More

La Cevicheria

The Infinite Adaptability of Raw Fish and Citrus

March 30, 2016 | By Heidi Ellison | Restaurants

The Cevicheria has taken over the generous ex-industrial spaces that used to house the restaurant Pan. Its pleasing decor includes a funky-chic pink wall that hasn’t been painted in years and a wall of climbing vines, complete with a blooming passion flower, big windows and interesting hanging light fixtures.

L’Empreinte du Geste

Interpreting Tradition

March 30, 2016 | By Heidi Ellison | Archive

A small exhibition, “L’Empreinte du Geste” (through April 3), at the Musée des Arts Décoratifs, part of the annual Journées Européennes des Métiers d’Art (see “Events” below), celebrates the use of traditional crafts techniques by artists, with some impressive results. … Read More

Le Clandé

Aiming for A Perfect Ten

March 23, 2016 | By Heidi Ellison | Restaurants

Friendly, attentive service in a restaurant can make an evening sparkle even if the food is less than outstanding. At Le Clandé the other night, we were spoiled on both counts: the service, provided by the chefs themselves, Chiho Kanzaki and Marcelo Di Giacomo, was totally adorable, and the food was great.

Cher(e)s Ami(e)s

That's What Friends Are For

March 23, 2016 | By Heidi Ellison | Archive

The new rehang of the Centre Pompidou’s contemporary collection, “Cher(e)s Ami(e)s” pays tribute to the museum’s “friends,” those who have donated works during the past five years, whether patrons or the artists themselves. It’s a disparate group of pieces, with … Read More